Barnett Photo Studio: Blog https://www.barnettphotostudio.co.uk/blog en-us (C) Copyright Barnett Photo Studio (Barnett Photo Studio) Sun, 17 Oct 2021 09:16:00 GMT Sun, 17 Oct 2021 09:16:00 GMT https://www.barnettphotostudio.co.uk/img/s/v-12/u950522401-o864800390-50.jpg Barnett Photo Studio: Blog https://www.barnettphotostudio.co.uk/blog 80 120 We are "The Chosen Ones"! https://www.barnettphotostudio.co.uk/blog/2021/10/we-are-the-chosen-ones We are The "Chosen Ones"!

We don't want to sound boastful, just honoured, but Barnett Photo Studio are proud to announce that we have been asked for the third year running to be the Official Photographers at The Societies of Photographers' annual convention in London. 

It is the largest photographic convention in Europe and attracts attendees from all over the world, so to be asked to cover this is not only a great achievement for our company but also to highlight the calibre of business where we live in The West Country.

I know there are many other photographers who would like to have this accolade, and it would be easier, (and cheaper), to hire a London based photographer for the event, but we are so pleased that it is our company that has been chosen. 

It shows that the dedication and endless hard work by Bergit and myself can bring rewards.  We work with International businesses and our work is seen world-wide, but we keep all our Brand Photography and Video "in-house" and have built up strong relationships with our clients over many years. 

I believe it is our personal touch, our quirky sense of humour, and our attention to the tiny details that makes us what we are.  And we live in a fantastic part of the world.  I am sure my late father, the film producer and director G Ivan Barnett would also be ecstatic.



“Adrian and Bergit have been the official event photographers for our annual London-based photography conference for the past 2 years. They are a professional and highly-organised team that deliver a consistent high-standard of photography for the event. On top of this, they are both friendly and have become part of the ‘Convention Family’. We look forward to working with them on future events.”

Colin Jones - CEO The Societies of Photographers
 

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(Barnett Photo Studio) Barnett Photo Studio Blog Brand Photography Marketing Photography Photography in London The Societies of Photographers https://www.barnettphotostudio.co.uk/blog/2021/10/we-are-the-chosen-ones Mon, 18 Oct 2021 06:45:00 GMT
Our Top Tips from Covid Isolation (Part 2) https://www.barnettphotostudio.co.uk/blog/2021/10/our-top-tips-from-covid-isolation-part-2 Part Two of our Top Tips for Business & Marketing, which we came up with during our time in Covid isolation.

5. Under Promise and Over Deliver

We've all heard the phrase.  While it is very tempting to promise everything to a potential client and say how great everything will be just to get the contract - what happens when it all goes wrong?  You can promise all the bells & whistles - but what if your new client gets a rusty cow bell and a tin whistle?  They tell ALL their contacts about how appalling you were, and everyone else just for good measure.

Maybe you think you can match your over-hyped sales talk, but if you don't learn quickly enough, or find yourself out of your depth, playing "fake it until you can make it" is an EXTREMELY dangerous game to play, and can ruin you, and your business, overnight.  Especially now that social media can spread news about your failings quicker than you can draw your next breath.

Enough of the scare story.  Tell your client what you can do (and be honest about this), and what to expect, and charge accordingly.  If you can go that extra mile they will be delighted with the surprise, and if you stay within your limits at least they won't be let down, and everyone is still happy.  Err on caution with all your promises, and where you exceed expectations then it can only work in your favour.  It's that bit of the encore, the extra special finale, the one outstanding magic trick - it's that show-stopping bit of unexpected extra service and quality that people will remember you for.

6. Be Yourself

In business, authenticity attracts.  If you pretend to be otherwise then you risk losing clients, losing money, losing credibility and respect.

Being yourself means not pretending to be someone else, or having skills you don't posses, or offering things you don't know anything about.  At least with Bergit and myself "what you see is what you get" - and that seems to be why our clients love what we do, and keep returning.  Sure, we're both quirky, and we don't hide our personalities.  In fact, that's what makes Barnett Photo Studio.  It's the reason why we can't "franchise" ourselves, despite it being suggested to us several times.

Being yourself - and doing what YOU do best, can reap some of the best rewards in business - and it's far easier to pull off, because it needs no effort.

7. Know your Values

Having time to think, you might like to consider the values you have in person as well as in business.  They should be pretty much aligned.  It is a good idea to write down a few core values that really matter to you in business.  Don't make it a long list - three or four are enough.

Here are a few pointers if you are stuck - there are some of the question we ask ourselves to determine our values in Barnett Photo Studio, so they may be a good starting point for you.  The questions are the same - the answers may be different for every business.  What do we care about?  Where do we create value for our clients?  Do we keep the integrity and reputation of our brand by doing what we are doing?  Are we eco-friendly, environmentally aware, sustainable etc - this is becoming increasingly more important to clients and customers when people make decisions.

Once you have your core values written down (they may surprise you), then ask yourself a crucial question.  Are you communicating these core values effectively to your customers?

These values are vital to your work, your business and your brand.

For example there are people and business we love to work with - but there are certain businesses we would flatly refuse to do any kind of business with!  Bear this in mind when you do business, and where you draw the line of integrity.

People value "values" very highly.

Last, but by all means not least:

8. Be CONSISTENT!

If you are not consistent in your business your clients will spot it and won't buy from you.  But what do I mean with consistency?  It is definitely not "copy and paste" every day your special offer.  If you are a luxury brand – everything about you needs to look and feel luxurious from the very first touch point – your Social Media presence, your images and videos, your packaging, your customer service and much more.  Let’s give a clearer example.

The car manufacturer Tesla produces electric cars and their clients appreciate the environmental values the company stands for.  When Elon Musk invested in Bitcoin he associated himself with one of the most environmentally questionable industries.  His clients started to question his real motives and his real values.

Every action you are taking needs to be in unison with your values.  If you haven't thought about this before, or if it isn't the way that you bring your business forward, then maybe now is the time to have a chat.  Now that we're out of isolation let us bring some progress and consistency to your business.

Contact us TODAY to find out more exclusive tips!

 

 

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(Barnett Photo Studio) Barnett Photo Studio Blog Brand Photography Business Cornwall Marketing Photography Tips" Top https://www.barnettphotostudio.co.uk/blog/2021/10/our-top-tips-from-covid-isolation-part-2 Sat, 02 Oct 2021 06:45:00 GMT
Tips from Covid Isolation https://www.barnettphotostudio.co.uk/blog/2021/9/tips-from-covid-isolation During our time of self isolation we came up with 8 tips what you can do with the time you have.  We know how much of an inconvenience it is, but the only thing you can do about it, is using the time wisely.

We now want to put our tips into a blog for you just in case you find yourself into the same situation.  Let’s jump in straight away with the first 4 tips - more to follow next week!

1. Be Unique!

Know what makes you unique from your competitors is essential.  It's not enough to say that you are better.  Everyone can say that.  Is it your style, your approach, your experience?  Take some time to really think about it.  Ask your customers!  Maybe not one of those boring surveys that "only take 20 minutes" - but ask them directly.  We often ask why our clients like working with us - and very often they say we are fun to work with! It's from our travels, our years of experience, the fascinating people we have worked with - and it's what makes us unique.  What makes YOU unique?

2. Know who you want to reach!

We all hear a lot about "knowing your target market" - but what does this actually mean?  It's a lot more than knowing the customers you want to have.  You need to understand why they think they way they do.  Why do people love one type of TV programme, but not another?  Various phones released onto the market appeal to different types of people, so it really isn't worth the companies wasting any resources trying to win over one or two converts from the other side.  Both Apple and Android are doing OK!  However, phones offered different things to different people, being waterproof, having a folding screen etc, and when screens didn't fold properly without creasing, then companies listened and reacted and provided what the customers were demanding.

Ask yourself, where are other people missing a trick that your business can satisfy AND it is what your customers want?  Get that right, and you are onto a winner.  We know it ourselves with our own clients who come to us for brand photography and video.  We do things with a style that no-one can recreate, we have particular set of business skills and experience, and our work brings them real benefits.

Take some time to plan - there is nothing better.  Having a well-thought out plan can maximise your efficiency, and that will increase your profits.  Both Android and Apple will agree on that statement!

3. Be Confident!

If you think the grass is greener on the other side, then it is nearly always because you are lacking in confidence in your own skills.  If you know you don't have the skills to do what you need to do in business, then jumping over the fence to the "greener grass" will solve nothing!

Maybe brush up on your own skills on whatever your area of expertise is.  There is a wealth of help out there - some good, some not so good - but your nose should be able to tell you what is what.

Improve YOUR area of skill, and be confident in that.  And that sound skills base will help you know you are confident in what you are trying to do.  If you are in a circus and not up to scratch in the juggling department, don't go to the "greener grass" and try fire-eating, as it is bound to end in disaster!  Just get better at juggling!  Make your own grass greener by watering it!

Stick to what you do best, and know best - and then excel in your area of confidence.

4. Know your cost and what you are worth!

Remember the song with Kermit the Frog’s nephew? "half way down the stairs is the stair where I stop".  It's actually from a lot older poem by A A Milne, the creator of Winnie the Pooh.  The stairs are a great place to stop and think.  If you ever speak to Bergit on the 'phone, chances are she is sitting half way on the stairs!

Today, stop half way wherever feels best for you and think about what you charge - and what you are worth.  How you charge in business depends on lots of factors, cost of sales, volume etc - but it should NEVER be about your competitors, or, worse still, to be cheaper than the others.  It is about creating value for your clients.  They will appreciate it and be prepared to pay your price.

That's it for now.  Read and digest.  More tips next week!  Have a good one!


Contact us TODAY to find out more!

 

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(Barnett Photo Studio) Barnett Photo Studio Blog Business Cornwall Marketing Photography Top Tips https://www.barnettphotostudio.co.uk/blog/2021/9/tips-from-covid-isolation Sat, 25 Sep 2021 06:45:00 GMT
Why do your customers pay you? https://www.barnettphotostudio.co.uk/blog/2021/9/why-do-your-customers-pay-you What is the single most important thing that your customers pay you for?

Have a long think about this.

It is because you are quickest, cheapest, or have wider variety of products or services?

Actually it is none of them.  How ever quickly you can deliver, someone can match it, someone always can and WILL be cheaper, even selling at a loss just to undermine their competition (that is a race to the bottom and not one you want to win).  No matter how much variety you provide, someone could offer more.

So, what is it?  It is the fact that it is YOU, and your customers buy into who you are and what you do.  But for the others that are not your customers, you need to show them what you are all about: your values and ethos.  And the quickest and easiest way to do this is to work out exactly who your ideal customers are.  They need less convincing, and could actually be ready and waiting for you, it's just that they haven’t found you yet.

If you know who they are, and where they "hang out", and the things that they respond to, then it makes it far easier to get them to sit up, take notice, and become loyal and regular customers.

The key to this is on a very subconscious level - things that appeal to their gut instinct.

We are in a culture that bombards us with messages, and our attention span is small.  So you need to stand out in a "swipe right" society, where the brain responds to images in milliseconds.  But, here is the crucial BUT - the images that alert the brain must be ones that convey the right message.  The message that appeals to your ideal customers, something that subconsciously conveys all that is great about you and your business.  The whole psychology of the composition of an image, the colour tones, the mood that it conveys - it's all far more complicated than simply having a photo.  It is about the reaction from someone when they look at the image - and you want them to understand in an instant, and make a connection.

I'm lucky enough to have worked in producing images for advertising for many years, and worked on some big and influential campaigns, from national magazines to specialist publications.

Every Brand Shoot we create is bespoke and built together with you.  There's no time like the present to begin our creative journey.

adrian@barnettphotostudio.co.uk        bergit@barnettphotostudio.co.uk

+44 844 884 5164
 

 

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(Barnett Photo Studio) Advertising Barnett Photo Studio Blog Brand Personality Brand Photography Cornwall Devon Marketing Photography https://www.barnettphotostudio.co.uk/blog/2021/9/why-do-your-customers-pay-you Sat, 04 Sep 2021 06:45:00 GMT
What's Your Story? https://www.barnettphotostudio.co.uk/blog/2021/8/whats-your-story Do people think of your business as just another commodity?  While we would instinctively say "of course not", it may be just that we wouldn't want to be thought of in that way, whereas the reality may be quite different.

We know we have to stand out in business, and presumably we know the difference between a brand and a logo - but what is the personality of your brand?

Advertising Agency PhotographyAdvertising Agency PhotographyAdvertising Agency Photography If your brand was a dog, for example, what breed would it be?  If it were a pop singer, who would  it be?  If it were a Michelin starred meal, what would it be?  This is where the Brand Personality really comes into play, and just as much as I like one pop star with a specific style and distinctive sound, somebody else will like someone completely different.

Knowing the music, the food, the films, the books, even the sports of the "personality" of your Brand is key in appealing to your ideal customers.  Just as consumers favour one brand of food over another, or a favourite coffee shop, so should your customers prefer you over someone else, whatever it is that you are providing.

Lydia & her Harley DavidsonLydia & her Harley DavidsonProfessional photoshoot in Devon of a young woman on a Harley Davidson motorbike Have a compelling and interesting story behind the brand, the personality, makes things so much easier because people will "buy into" what it is your are trying to sell or provide, they will understand your values and ethos, and if you are slightly more expensive then that won't matter.  And we know this is true - just look at how famous brands can charge more because of who they are.  Your customers should feel the same - they should believe that you are worth it.  They will be buying into you - and that means loyalty.

Studio Product PhotographyStudio Product PhotographyStudio Product Photography

All logical and plain-sailing.  Except, how do you convey this in an instant so that your perfect customer will understand immediately?  We tell our stories with images.  From cave paintings, from portraits by painters, then photographers, and stories told by filmmakers, we know that our brains respond to visual imagery far quicker than the spoken word.  Also, we tend to trust images more than words, which is why photo-manipulation can be controversial.

How you tell your story is just the same for products as well as services, and the principles are also the same as they are for big multinational retail brands, except with a smaller budget.  You simply tell the same collection of stories to paint a bigger picture of your brand and bring your customers on board and engage them with your story.

Model Chereena Miller at The Societies Convention in LondonModel Chereena Miller at The Societies Convention in London

So what is the story?  Simply, your customer is at the centre where they have to find a solution to a problem, and, conveniently, you are there to provide the answers.  The problem is overcome and everyone is happy.  Simplistic, I know, but that is the general foundation of many of the best stories - and that theory can be applied to your brand as well.

Artsian Jewellery PhotographyArtsian Jewellery PhotographyArtsian Jewellery Photography

With our Brand Photography and Video services we can help you tell your own unique story and engage with your perfect clients.  These images can then be used across multiple platforms in all sorts of situations, but always telling, retelling and confirming your story, and placing you in the hearts and minds of your most loyal customers.

We'd love to have a chat with you, and learn about your unique story, and then we can help share that story in the most effective way.

Tell us all about your stories - we're listening with interest. 

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(Barnett Photo Studio) Advertising Barnett Photo Studio Blog Brand Personality Brand Photography Cornwall Marketing Photography https://www.barnettphotostudio.co.uk/blog/2021/8/whats-your-story Sat, 21 Aug 2021 06:45:00 GMT
Hug your Business! https://www.barnettphotostudio.co.uk/blog/2021/5/hug-your-business Hug your Business

With lockdown restrictions gradually easing we are now officially allowed, with caution, to hug other people!

But one of the most important things to remember is to "Hug your Business"!  Look after your business, help it and nurture it, and that way it will also look after you.

Businesses can, depending on what sector you are in, take on more customers.  But really, you want not more customers, but better customers.  These are the customers you enjoy serving, spend more with you, and love what you do in return.  They love you, they spend with you, they tell their friends about you, leave great reviews and keep coming back.  And key to getting those ideal, dream clients, is to know exactly who they are.

Who are your dream customers?  Where do they live, what do they do on a daily basis?  Picture them, and give them names if it helps (we do!).  Figure out what they do for a job, where they go to relax, what sports they watch, what TV dramas they are into, what films they enjoy, what books they read, where they take their holidays.  When you know all these things then it is much easier to appeal to them with things that they want.

A Brand Photoshoot

All this has to work across your business, your products and services and be consistent across your Social Media - your images, your photographs, they are the things that grab people's attention first and foremost.  Do they reflect exactly what YOU are about (or are you using any old photographs), and more importantly will they appeal to the type of customers you wish to attract?

You've also got to make sure your words are correct.  The images will hook them in first, but then is what they read further the sort of thing that will excite and entice them into being a customer?  Dull, boring words, badly written "copy" will put many people off.  Make sure that your website, your brochures, everywhere you appear looks and feels consistent and designed to appeal to the customers you want.  Getting that right makes it much easier, and simpler to do business.

It's all about working smarter, not harder.  It's not about having more business, but having better business.  Make the whole process of doing businesses for your customers as well as yourself more relaxing and enjoyable.

Now, more than ever, you need to "Hug your Business" - it will thank you for it, it will be happier and healthier, and in return it can look after you.

 

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(Barnett Photo Studio) Barnett Photo Studio Blog Brand Photography Business Growth Cornwall Photography https://www.barnettphotostudio.co.uk/blog/2021/5/hug-your-business Tue, 18 May 2021 08:30:00 GMT
Why "Headshots" don't work! https://www.barnettphotostudio.co.uk/blog/2020/8/why-headshots-dont-work It may seem strange me saying that, as a photographer myself, but "headshots" just don't cut it!

Let me explain.  A headshot is just a shot of someone's head.  It doesn't say anything or do anything except record the shape of your head!

I like to think of them as Professional Business Portraits.  It shows you off in your best light - BUT it is only a very small part of what you should be doing to get noticed.  If that is all you have it is like opening a restaurant and putting sign above the door, but not having the menus, the decor, the furnishings.  You Business Portrait on its own won't get your dream customers flocking to you.

John Pomeroy - Business Doctor-4John Pomeroy - Business Doctor-4John Pomeroy - Business Doctor

And this is the bit where many businesses fall down.  They have the "headshot" and it doesn't bring them anything, so they think that photographs don't work.  So they don't invest any more, and then they wonder why they aren't making more money, and the whole enterprise starts to flounder.

John Pomeroy - Business Doctor-2John Pomeroy - Business Doctor-2John Pomeroy - Business Doctor

We did a set of images for John Pomeroy, a "Business Doctor" as he was having a two-page feature in a magazine.  Rather than a bland shot of his head which conveyed nothing, we photographed him at Work, Rest & Play.  This is the real person that you will meet if you engage with his services, and the whole portrayal is more assured and professional.  The magazine editor was at a loss as to what to leave out, and therefore upgraded his feature to THREE pages.  How much more effective is that!  And far more individual than having a very generic standard headshot at the top of the article.  Proof indeed, if proof were needed, that bespoke and professional images succeed where headshots really don't cut it.

John Pomeroy - Business Doctor-1John Pomeroy - Business Doctor-1John Pomeroy - Business Doctor

Really, to attract your perfect customers you need to have a very specific idea of who they are, and where you might find them, and what would attract them to you - specifically to YOU.  What do you have to offer that is different, better, more exciting or more valuable?  Say this with professional photos!  Then, when you have a whole library of images that are specifically designed for you, and are exclusive to you (never "stock images"), you can tell your unique story to your ideal clients in ways that will surprise and delight them and drive them into your purchasing arms with ease.

John Pomeroy - Business Doctor-3John Pomeroy - Business Doctor-3John Pomeroy - Business Doctor

But if you tinker around the edges with  half a dozen "headshots" then it really won't make a difference in reaching your ideal people, growing your business, and making money.

That's why headshots don't work.

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(Barnett Photo Studio) Barnett Photo Studio Headshots Marketing Photography Portraits https://www.barnettphotostudio.co.uk/blog/2020/8/why-headshots-dont-work Wed, 19 Aug 2020 11:18:18 GMT
Controlling Natural Light https://www.barnettphotostudio.co.uk/blog/2020/6/controlling-natural-light Controlling Natural Light

During the filming of our "Natural Light" tutorial we took a series of images where we balanced the sun with different light sources to show what effect they have on the final images.  The filming took place at Thunderpark Airsoft in Luxulyan, Bodmin.  A big thanks to our friend Barbara for letting us use the location.

If you haven’t seen our “Natural Light” tutorial here is a link to the video.  Photography using Natural Light

As described in our film, it was a very sunny day and so we took our model Becky into a shed which is part of the adventure park.  There was not only a door in the front, but a window as well, a high window on one side behind Becky and another opening opposite the main entrance.  

We positioned Becky in a patch of shade, but near enough to the door to illuminate her face by the natural light coming through the door (see image 1).  The exposure meter gave us a reading outside of F16 in the sun.  The light on our model’s face was F4.  The backlight on her hair comes from the high window behind her and the window next to the door, both just out of the frame.

Image 1: Natural Light only

To put a bit more light into Becky’s face we used a white Lastolite reflector.  To reflect light back we needed to position the reflector outside the shed to catch the sun.  We still maintained the backlight on her hair, but pushed also some light back on the wall.  The reflector also brought some catch-lights into her eyes.

Image 2: White Reflector

For our third image we used the Rotolight AEOS, a big continuous light source.  Adrian is standing with the light in the shed just behind the door.  We put the light onto its maximum continuous output.  That means the Kelvin was set to 4100 and 100%.  The different colour temperature is produced through a mixture of different temperature LED’s.  By 4100°K all the lights are used and you have the maximum light output in continuous mode.  You would be able to gain another stop out of the light by setting it to "flash" mode.  This is useful when you want that extra bit of kick in situations where there is already plenty of light.  We have the sparkle in Becky’s eyes and still get the benefit of the backlight from the window behind her.

Image 3: Rotolight AEOS as continuous light source

Because of the differences in light between the outside and inside of the shed, I didn’t take too much of the environment into my composition to avoid too many overexposed parts in the finial images with would distract from the subject.  In post production Becky’s face was lightened further and the outside of the shed was darkened down.

In our last image we used a simple speed light and put a snoot on it.  Because we were now able to take the exposure down, we could show more of the environment without the risk of blowing parts of the image out.  The exposure on our model's face is now exactly the same as outside.  Because light from behind a subject always appears brighter in the finial image, we still have our backlight.  Adrian is now standing outside the shed again with the speed light on a pole (lighting stand) to hold it into position.  The only part in the image I darkened down in post production was the blue oil drum in the foreground.

Image 4: Speed light with snoot

 

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(Barnett Photo Studio) adrian i barnett Barnett Photo Studio bergit barnett Blog Cornwall Lastolite Modelling Photography Photography Training Photoshoot Rotolight https://www.barnettphotostudio.co.uk/blog/2020/6/controlling-natural-light Tue, 16 Jun 2020 18:30:00 GMT
Making the Magic Happen https://www.barnettphotostudio.co.uk/blog/2019/6/making-the-magic-happen Having the idea is one thing, but making the vision a reality is something else entirely.

Different people stop and ask me about different images in the our portfolio, and what the stories behind the photographs are.  So, I'm putting up a few of the most popular ones to explain a little of the thinking behind them and how they came about, without spoiling too much of the magic.

Paige & The Ravens

Paige & The RavensPaige & The RavensPaige & The Ravens

Probably our most recognised image - I've lost count of the places this has been published and seen.  .  It's certainly brought us a lot of recognition and rewarding comments.  This is something Bergit was really enthusiastic to bring to life.  It's really a simple landscape shot with a person in front!  The sea, the sky and the clouds were all there on the day.  We dressed Paige is some plastic bin-liners and organza plus a hat from E-Bay.  The make-up artist Michelle Ransome did her make up, and we lit her with one hand-held flash unit.  The ravens were added later - one of the extremely rare occasions when I resort to using Photoshop!

Berlin 1930's

Berlin 1930's Film NoirBerlin 1930's Film NoirBerlin 1930's Film Noir

I had this idea in my head for 5 years before I was in a position to be able to get back to this location and get permission to shoot there.  It's in a lovely private Berlin apartment block in the Spandau district, and built in 1929, so precisely the period I was looking for.  We put radio-triggered lights on each landing and adjusted them individually so that the correct amount of light fell into each part of the scene, especially the black & white chequered tiles at the bottom, which seem to draw the eye into the spiral of the image.  It was an image I just had to do, and it satisfied a very creative itch!

SS-Cornwall

SS-CornwallSS-CornwallSS-Cornwall

We just loved the look and feel of the very stylish BBC TV drama "SS GB" about life in Britain if the Nazis had won World War Two.  The lights, the mood, the cinematography was just something we wanted to do for ourselves.  For this we needed a specialist crew.  The three models were all artists, actors, models and fans of the vintage style.  Sarah D Trebilcock, Rob Bown and Jamie Tamara Mackfall.  We brought in hair stylist Charlene Claire Dalton and MUA's (make-up artists) Stacey Trevena and Andrea Wilks, who all contributed to the final look.  The vintage valve wireless, the Zeiss Super Ikonta camera the "Gestapo Officer" is holding, are all authentic.

Das Mädchen unter der Laterne

Das M├Ądchen unter der LaterneDas Mädchen unter der LaterneDas Mädchen unter der Laterne

Going slightly back to the vintage again, and partly inspired by Dennis Potter's "The Singing Detective", this was actually shot on a busy Sunday afternoon around Camden Market!  By bringing in some bright lights, we could underexpose the background so that it looked like night.  Lily Marlene was a wartime song, and the war-themed graffiti added extra resonance to the image.  The "model" is actually a friend and client of ours, not a professional model, but we knew she had what it would take to make a shot like this very thoughtful and special.

Zoë the Photographer

Zoe the PhotographerZoe the PhotographerZoe the Photographer

The camera she is holding is my late father's Rolleiflex, and it is still one of the best cameras around, and a firm favourite with photography masters such as David Bailey and Annie Leibovitz.  We liked the idea of capturing another photographer and watching them capture another, entirely different image.  What is it she is seeing on the ground-glass screen in the top of the camera?  We are intent on watching her, but she is oblivious to our presence and is concentrating on something else, equally fascinating, out of sight.  In her seeing an image, we have seen another one ourselves.  For me, it doesn't have to be anything more than that - just a moment that makes us stop and think.

Hope you enjoyed looking at these images we have shared with you.  Please feel free to get in touch!

Regards, - Adrian & Bergit (Barnett Photo Studio)

 

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(Barnett Photo Studio) adrian i barnett Barnett Photo Studio bergit barnett blog cornwall Emily Theodore Jamie Mackfall modelling Paige Frost photography Rob Bown Sarah Trebilcock uk Zoe Taylor https://www.barnettphotostudio.co.uk/blog/2019/6/making-the-magic-happen Thu, 06 Jun 2019 10:00:00 GMT
Inspirations in Photography on Dartmoor https://www.barnettphotostudio.co.uk/blog/2019/3/inspirations Inspirations

What are the ingredients that come together to make an image?  Just as Paul Simon took influences from South African music to create his seminal album "Graceland" I also like to draw on a wide variety of sources, and many of them not immediately obvious in the final result.

Of course, I take influences from films and my late father (the film producer and director G Ivan Barnett), and the lighting in films such as Ridley Scott's "Blade Runner" has always been massively important for me in how I see an image.  It's all about having a vision.

Of course, I don't want to copy - what is the point that?  I prefer to acknowledge my influencers and give a nod to their creativity and style, and then make it my own.

For the first image of Olivia taken up on the edge of Dartmoor I could hear music playing in my head, and thought of a powerful queen who had conquered, or was in the process of winning lands.  I freely admit that as I was editing these images I was playing the soundtrack of Season 6 of Game of Thrones, so Daenerys Targaryen and her particular vision came to mind!  

 From there, you can begin to work on and enhance other aspects of light.  Yes, of course, there is artificial light in these images.  I've brought in a speedlight (actually a big Metz Hammerhead flash) to balance things out, and Rotolights which are lovely and controllable because you can see what you are getting when you use them in continuous mode.  The beautifully soft light in the doorway was all I needed to make Olivia's face glow, and a Neo 2 Rotolight provided that subtle touch of an accent light that lifted her from the background and gave her a three-dimensional quality.

Here in the aisle of the church there is nothing except the natural available light.  Nothing added - nothing taken away.  Sometimes it is all you need - the elements needed for my inspirations are often given to me right in front of me - all I have to do is see them. 

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(Barnett Photo Studio) Dartmoor Modelling Photography Photography in Devon Photoshoot https://www.barnettphotostudio.co.uk/blog/2019/3/inspirations Sun, 03 Mar 2019 07:30:00 GMT
The Societies of Photographers Convention 2019 https://www.barnettphotostudio.co.uk/blog/2019/2/the-societies-of-photographers-convention-2019 Back last December 2018 we received a phone call from Juliet, the Managing Director of The Societies of Photographers confirming that they would like Bergit and myself to be the official photographers for the largest photography convention in Europe!

Of course, we had been going to The Societies Convention for many years, and it really is the best place for learning, for inspiration, for sharing of idea and experience.

The latest issue of their "Image Maker" magazine is available now, showing a lot of what we photographed, the Masterclasses and Superclasses, and not least the award winning photographers and the work that got them there.  You can read the full issue of the magazine here - https://barnettphotostudio.co.uk/image-maker-febmar2019.pdf

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(Barnett Photo Studio) Barnett Photo Studio London Photography The Societies of Photographers https://www.barnettphotostudio.co.uk/blog/2019/2/the-societies-of-photographers-convention-2019 Sat, 09 Feb 2019 10:15:25 GMT
Kelly House Christmas Event https://www.barnettphotostudio.co.uk/blog/2018/11/kelly-house-christmas-event Kelly House and Barnett Photo Studio invite you to an unforgettable Christmas shooting experience.  The location – Kelly House – is a Grade 1 listed building situated in the village of Lifton on the border between Devon and Cornwall.  The estate has been in the property of the Kelly family since approximately 1100.  Parts of the Medieval house and Great Hall are still standing, though they are obscured from view, as this part of the house was significantly remodelled in the Tudor architectural style.  In 1742 the west wing of the building was constructed in the Georgian architectural style.  The most recent north wing of Kelly House was built in 1877.  That the house has grown over the centuries makes its unique charm.  No room is like the other.  This provides countless photo opportunities.  On our shooting experience day at Kelly House we will concentrate on 5 different set ups.  With help of high end studio lighting equipment like Elinchrom flash heads and continuous lights from Lupo and Rotolight we will enhance the existing beautiful natural light of the house.  Models and photographers will work together to create stunning images for their portfolios.

Barnett Photo Studio are two full time professional photographers who will assist you on the day. During a networking Lunch they will be there for a chat.

 

Models:

Photographers:

Models will have their photographs taken in this stunning location by two professional photographers. You will be provided with 5 professional fully edited photographs by Barnett Photo Studio. Furthermore you have the chance to work with different photographers with different levels of knowledge.

 

Please bring a casual and a smart outfit like a suit or an evening dress. Because it is a Christmas shoot please bring something in a Christmas colour like white, red, blue, green, gold or silver. Something warm and wintery would be helpful as well. If your wardrobe lacks in any of these requirements, there will be a variety of outfits available on the day.

You have the chance to work with different agency models during the course of the day. High end professional lighting equipment will be set up ready for you and there will be explanation on how to get the best out if it.   The models will be styled and dressed to suit the lighting and the individual set up. The images are yours to use for your portfolio and social media.

Please bring your camera and a variety of lenses. A monopod or tripod could be helpful on the day.

To book for the day please follow this link barnettphotostudio.co.uk/kelly-house-shooting-experience

Procedure of the day

9:30

Arrival and Refreshments

10:00

Welcome and house keeping, selection of the groups

10:30

First shoot

11:30

Second shoot

12:30

Break: Networking Lunch

13:30

Third shoot

14:30

Fourth shoot

15:30

Fifth shoot

16:30

Questions and feed back

17:00

End of the event

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(Barnett Photo Studio) Barnett Cornwall Devon Modellling Event Photo Photography Photography Workshop Studio https://www.barnettphotostudio.co.uk/blog/2018/11/kelly-house-christmas-event Thu, 01 Nov 2018 10:00:00 GMT
Having a Studio on Location https://www.barnettphotostudio.co.uk/blog/2018/3/having-a-studio-on-location Having a studio is great, but it can be restricting and limiting.

Emily and her DragonEmily and her Dragon

OK - it's lovely to have a changing room for the client, and being able to make coffees, and discuss ideas with the client, the hair stylist and the MUA (Make-Up Artist), and have the heaters on etc BUT, unless you have a very versatile studio it can be somewhat limiting.

I love locations - and I enjoy having to "wing it" and make use of what is available.  Very often there are lots of great places that can easily be overlooked.

Location shooting in LondonLocation shooting in London

I am often asked where I am "based" or where is my studio.  You can bet that if I did have a permanent studio, it would be inconvenient for someone or other!

I've shot in hotels, cafés, stately homes, disused railway engine sheds and all sorts of places that I couldn't possibly recreate in a fixed studio.  In fact, someone was convinced that our "SS-Cornwall" shoot was in a studio (see my other blogs), but it was a simple café that we transformed for the afternoon and dressed like a film set. Emily Theodore in LondonEmily Theodore in London Emily Theodore Photoshoot in LondonEmily Theodore Photoshoot in London

 

 

 

 

 

 

 

 

 

 

 

In London recently we met with a client, the extremely talented designer and illustrator Emily Theodore - https://www.emilytheodore.com/.  We've worked with her before on several different occasions, and this time we wanted something colourful, stylish and illustrative, as dynamic artwork is one of her trademarks.

We met in The Royal Festival Hall on the South Bank, but need somewhere close by that was sheltered and where we could set up some simple lighting equipment.  I like to make things easy for myself, and for that reason I love using continuous lights.  My preferred choice are Lupo LED lights - you can flood and spot them, even change the colour temperature without needing gels, and I just have to point them where I want them to go.  No need to bother with flash guns, and then changing and adjusting again and again.

I knew of a place where my wife, Bergit, had shot a few years previously and it's a short walk from Waterloo station and a Mecca for street artists.

This beautiful little dragon sprayed on the wall just caught our eye.  Even the artist watched as we set about the shoot.  Unfortunately he never got in touch, and he must have lost our business card, as the little dragon had been partially sprayed over by the following morning, and is now lost forever.

So, if there is decent light available, then I like to work with it.  It is natural, and will always look realistic, and very often it will be nothing you can recreate unless you are on a massive studio film set.  You can either use the available light as a light source in itself, or augment it with a light or two of your own.  I often like to use the available light as a back light or fill - that's neither right or wrong, but just the way that works for me.

A main light, in this case a Lupo Dayled 1000 provided the "Key" on Emily's face.  I metered the back ground with the natural light, underexposed by a couple of stops, and then metered off her face so I knew how to set the brightness of the main light.  I always meter so that I get it right.  My one piece of advice no matter what equipment you use, is it get yourself an Exposure Meter!

The Lupo lights with their fresnels give a real "cinematic" feel which is a look I love.  They don't blast the scene with light like a speedlight, and have a real Hollywood production feel to them.  Look at the beautifully sculptured light that is used extensively in "Game of Thrones" for a real masterclass in how to paint light and shade, and three-dimensional depth, and even create mood.

Anyway, enough of the lights.  Shooting on location can also add to the atmosphere and really affects the way I work in a positive way.  I can't sit back on my laurels, and we had a small crowd watching us, even the local constabulary came by to have a look!

Working on a location also influences the model, or the client in this case (Emily is not a professional model, although I know she has got what it takes)!  The colour, the grunge and grime, the people watching, the other artists spraying on the walls, the music, the noise and rumbles of London all added something which I never could have recreated in a studio.

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(Barnett Photo Studio) adrian i barnett barnett international bergit barnett blog emily theodore london lupo lupo lights photography https://www.barnettphotostudio.co.uk/blog/2018/3/having-a-studio-on-location Sat, 03 Mar 2018 11:45:00 GMT
Hollywood Portraits https://www.barnettphotostudio.co.uk/blog/2017/9/hollywood-portraits The Basics of Lighting for Great Portraits

When we take portraits there are many different styles of lighting we can utilise to make the sitter look good, but often simplest is best.

The rich and glamorous look of the Hollywood Portraits is one of our favourites and fairly simple to set up.

First, we must thank our wonderful model Jess McLean and also Kat Roberts of Kat's Blush Makeup & BodyArt for the hair and makeup.

The classic and timeless portraits of Jean Harlow, Myrna Loy, Lauren Bacall, Clark Gable and James Cagney have stood the test of time, and still have an iconic style today.

The distinctive look of these Hollywood portraits came about due to limitations and constraints rather than by deliberate design.

If you constrict yourself to the conditions that these photographers had to work with, then you can be well on your way to reproducing that beautiful look.

For a start, film was slow, so the apertures of lenses had to be wide and that lead to a shallow depth of field.  Always open your lens up.  Zoom lenses aren't really suitable for this, so get a good prime "portrait" or short telephoto lens.  In addition, opening your lens right up can also make the image stay sharp but go slightly "soft" which is a fantastic look!

Because film was slow, they had to use very bright lights and big lenses in front of the lights to maximise their power.  Fresnel lenses were lighter in weight, but also gave a distinctive pool of light which also help characterise the portraits from this era.  We love the Lupo lights.  They are continuous lights.  So simple because you see where you put the light!  Flash just doesn't work.  It’s like microwave chicken compared to a lovely roast.  You need the continuous lights - and the good news is they can cost LESS than Canon or Nikon speedlights!

Finally, they used a tripod.  I really would like to stress this.  It slows you down and helps you lock your composition.  I'm not sure why I stopped using tripods, it was always the way I grew up and was taught to photograph using a tripod.  When I started putting my camera back on the tripod it was a revelation.  My camera is free and no longer distracts me, and I can concentrate on the portrait.  It makes so much difference and I urge you to try this approach.  You will thank me for it!

The filmmakers needed to make their images three-dimensional, and it seems to be something that is lost in many modern images.  They used a backlight, or "accent" light coming from behind and slightly to the side of their subject to separate them from the background.  Watch films and high budget TV dramas and you will notice this technique everywhere.

Use an exposure meter - not your camera!  Remember, you are measuring the light falling ON your subject and not the amount of light being reflected back!

Get your back light correct first.  Light reflecting off a surface (your model) will always meter about a stop higher, so take the light down until it meters about ½ a stop over.  Now light the face of your subject.

Accent LightsAccent LightsAccent Lights

Here the lights are set up and exposed for the accent light only.

 

 

Flat LightingFlat LightingFlat Lighting

 

 

 

 

 

 

 

 

 

This is our model's face without any back lighting.  How many of us are guilty of this "flat" lighting? 

 

 

 

To start - learn the three basic lighting set-ups that will stand you in great stead.

1.      Butterfly / Paramount / Dietrich Lighting

Butterfly LightingButterfly LightingButterfly Lighting Butterfly LightingButterfly LightingButterfly Lighting

 

 

 

 

 

 

 

 

 

This was the style of portrait lighting favoured by Marlene Dietrich.  It was used by all the "Big Six" film studios - including Paramount.  The shadow of the light resembles a "butterfly" under the nose.  If you photograph a female, then call it "Butterfly" lighting.  If your sitter is a man, then call it "Paramount"!  Think of the sitter with a growing "Pinocchio" nose that extends out until it touches the lighting stand.  That’s is where you have to have the light - full on to their face.  To see the full effect you should have the camera straight on to the face, but you can move around sideways, so long as the model's face is filled by the light.  The light should be high and angled down to get a good shadow, but not so high that you lose the catchlight in their eyes or they will appear as sunken dark sockets.  Also make sure you don't make their cheekbones look fat!

You can move the model around so that you are not shooting straight into their face, but remember if she turns her head then the light must follow and be in the same position relative to her face.  This portrait is pure Hollywood!

Portrait with Butterfly LightingPortrait with Butterfly LightingPortrait with Butterfly Lighting Butterfly Lighting sideButterfly Lighting sideButterfly Lighting side

 

 

 

 

 

 

 

 

 

 

 

 

 

I also like to set the screen on the back of the camera to black & white, and that will also give me a feel for the final effect.  We use an Olympus OM-D and you can customise the look of the final image in camera.

2.      Loop Lighting

Loop LightingLoop LightingLoop Lighting Loop Lighting DiagramLoop Lighting DiagramLoop Lighting Diagram

 

 

 

 

 

 

 

 

 

The nose shadow is all important here.  The shadow should follow the curve of the cheek on the face on the far side of the light.  The shadow should not go too far or you will make the face of the model look broad and flat.  You must set the light high enough to get a satisfactory loop of shadow.  Don't let the model move around or change the angle of their head or the shadow will be lost.  If they have a slightly wider face then put the light on the side of the face furthest away from the camera (this is called "short lighting").  It will slim the appearance of their face and they will love you for it!  I like this as it is probably the easiest to set up, it's great for most people and is nothing too fancy or dramatic.

3.      Rembrandt Lighting

Rembrandt LightingRembrandt LightingRembrandt Lighting Rembrandt LightingRembrandt LightingRembrandt Lighting

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I love this lighting!  When done well it gives me such a lovely tingle of satisfaction.  Named after the Dutch Master Painter it is often more suited to male portraits. But we have used it to great effect with girls as it can give a powerful and stunning appearance to a female face.  The side of the face in the shadows has a triangle of light pointing downwards.  To be strict, the width of the patch of light should be no wider than the width of the eye, and the bottom the triangle of light should be level with the bottom of the nose.

There are many other types of lighting you can progress to learn: split, badger, cross, clamshell, flow - the list is endless, but like cooking, if you learn the basics first then you can advance from there.

In the final image we switched back to colour and did a couple of really cool things.  With these Lupo lights we can easily change the colour temperature without having to fiddle around with gels which will reduce the power of the lights.  We set the Key Light to a colour temperature of 3200°K (Tungsten), and put one of Damien Lovegrove's "Scattergels" on another light facing the background.  This was to give a Venetian blind appearance and we set the colour temperature of this light to 5600°K (Daylight).

We set the camera towards the lower end of the range - 4000°K.  This will let the Key Light appear slightly warmer, as if lit from a table lamp in a motel room.  The light on the background will appear bluer, slightly more like daylight.  It's an old film trick and you will see it used in countless movies.  We completed the look and feel of the scene with a period telephone.  We imagined Marilyn Monroe accepting a 'phone call from an unnamed president of that era!

Colour PortraitColour PortraitColour Portrait

 

 

 

 

 

 

 

 

 

 

 

Filmset LightingFilmset LightingFilmset Lighting If you would like to read more about this and many other lighting styles, including using natural light, speedlights and a whole wealth of invaluable knowledge on all aspects of beautiful photography then we thoroughly recommend you check this book out - https://lovegroveshop.com/portraits-ebook/

And as we are proud to be associated with Damien then he has very generously offered a discount of 20% an either of his ebooks if purchased before the 31st October 2017.  Simply email me via the website and I'll give you a discount code you can enter at the checkout.  Enjoy!

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(Barnett Photo Studio) adrian i barnett barnett international bergit barnett caradon devon hollywood lighting photography portraits https://www.barnettphotostudio.co.uk/blog/2017/9/hollywood-portraits Thu, 21 Sep 2017 10:02:14 GMT
What to do in Cornwall https://www.barnettphotostudio.co.uk/blog/2016/8/what-to-do-in-cornwall Every tourist has heard about the beautiful North Coast of Cornwall with places like Tintagel (famous for King Arthur’s castle), Port Isaac (TV series "Doc Martin") or Padstow (Rick Stein and Paul Ainsworth). On the opposite coast you can find the little fishing harbours of Looe, Polperro or Fowey. Mostly forgotten though is the Cornish mining heritage with tin mines in the West near Camborne and Redruth. In East Cornwall around Caradon are situated the former copper mines. These two metals are needed to produce bronze. This alloy made Cornwall one of the biggest trading nations during the Bronze Age (2500 – 800BC). Settlements from this time with their standing stone circles are found all over Cornwall such as The Hurlers near the Cheesewring at Minions. In these settlements archaeologists have discovered proof of early trading with countries in the Mediterranean region like Greece and the Roman Empire. For example they found fragments of wine and oil amphoras. Lydia Mae ate Wheal Peevor, CamborneLydia Mae ate Wheal Peevor, CamborneLydia Mae ate Wheal Peevor, Camborne The mining activities carried on through medieval times right up to the last century. The last Cornish tin mine in production at South Crofty closed in 1998. If you want to go into a mine, Geevor Mine was acquired by Cornwall County Council as a Heritage Museum which is now run by Pendeen Community Heritage.  Also well worth a visit is Poldark Mine (Wheal Roots at Wendron), the interior of which was used in the new BBC adaptation of “Poldark”.  Wheal Owles down in the west of Cornwall was used for filming the exteriors of Ross Poldark's "Wheal Leisure" mine. BBC Poldark "Wheal Leisure"Wheal OwlesWeal Owles Existing ruins of old engine houses worth exploring are Wheel Peevor near Redruth, and the picturesque Towanroath Shaft at Wheal Coates, St Agnes, which is situated right on the cliff edge or various different copper mines in and around Minions.
 

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(Barnett Photo Studio) Adrian I Barnett Bergit Barnett Caradon Cornwall Fowey Isaac Looe Poldark Port Tin Mining Tintagel Wheal Leisure Wheal Owles https://www.barnettphotostudio.co.uk/blog/2016/8/what-to-do-in-cornwall Fri, 05 Aug 2016 05:30:00 GMT
Twilight with Jade https://www.barnettphotostudio.co.uk/blog/2016/5/twilight-with-jade We've very much enjoyed the "Twilight" series of films, after we bought the first DVD while browsing through some shops in Germany.
 


 

Apart from the story and the characters, from a photographic point of view the lighting has always fascinated me, and in particularly how the style has changed and evolved across the five films.

The first instalment was a bit of a one off as this was quite distinct in its visuals with Catherine Hardwicke as the director and Elliot Davis as the cinematographer.

The approach to lighting Robert Pattinson appeared quite old-fashioned - almost "up lit" and slightly overexposed in the old horror film style.  And of course, Twilight is not a horror story in the conventional sense.
 


 

The final, Breaking Dawn, was split into two films and a lot of the original mood lighting had changed and reigned back.  Maybe because most of them were vampires by then?

My personal favourites in the quintet are "New Moon" and Eclipse" with Javier Aguirresarobe as cinematographer working with Chris Weitz and David Slade as directors.

I notice they have a very distinct method of lighting, where the light source is large, such as a soft box, and brought in close to the person to bathe the face in soft and pale light.  This colourless look is not actually drained of colour, but appears so in contrast to the colours used in the surroundings, such as the woodlands of Oregon where a lot of the films were shot.
 


 

This also stands out against Jacob and the rest of the werewolves where the lighting is more naturalistic as would be found in the forests.

It appealed to me particularly, as lighting is very much my passion as there are so many moods and emotions you can create with imaginative use of lighting, and without having to resort to hours of digital manipulation.

For this shoot we took Jade to an abandoned factory deep in the woods and set up some fairly simple lights with modifiers to give a bright but soft light to contrast with the deep and saturated shadows behind.
 


 

In the woods, with the streams and waterfalls, and various animal noises it all came together.  All I needed to do in Lightroom was to slightly change the colour of Jade's eyes.

I didn't want to blatantly copy the Twilight films, but just to use them as inspiration to try something different - and everyone involved with the shoot was very pleased with the result.
 

The full shoot can be viewed here - http://www.adrianbarnettphotography.co.uk/twilight-with-jade
 

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(Barnett Photo Studio) Adrian I Barnett Barnett International Bergit Barnett Blog Cornwall Jade Pardoe Modelling Photography Photoshoot Twilight UK https://www.barnettphotostudio.co.uk/blog/2016/5/twilight-with-jade Sat, 28 May 2016 04:30:00 GMT
"What Equipment Do You Use?" https://www.barnettphotostudio.co.uk/blog/2015/11/-what-equipment-do-you-use "What Equipment Do You Use?"
 

Zeiss Super Ikonta CZeiss Super Ikonta CZeiss Super Ikonta C
 

It's a question I am only asked by other photographers - but not by clients!

I have about 47 cameras, but to be honest, some of them are rarities and collectables, but I have digital, film, medium and large format, even Wet Collodion cameras.
 

Rolleiflex 3.5 PlanarRolleiflex 3.5 PlanarRolleiflex 3.5 Planar
 

My standard answer to the question is "the right camera for the job".  I am, like my father was, not a "brand" photographer.  I have Canon, Nikon, Olympus, Pentax, Mamiya, Bronica, Rollieflex, MPP, Linhof, Zeiss, Contax, Kiev etc etc
 

MPP & MPP Micro-Press Plate Film CamerasMPP & MPP Micro-Press Plate Film CamerasMPP & MPP Micro-Press Plate Film Cameras
 

The camera doesn't make a good photographer any more than a sharp knife makes a Michelin-starred chef.  Of course, it doesn't make sense to carve a roast with a fish filleting knife . . . but you get my drift.

I love my cameras, all of them, and what they help me achieve.  I've got wonderful large format plate cameras great for fine detail and fashion billboard advertising, I've also got some highly technical stuff for precision work - but I am also more than happy with the huge 15ft enlargements made from the Olympus Micro Four-Thirds sensor - and you DON'T need "full frame" to achieve great results, and I am happy to go on record as saying that.
 

Billcliff Antique Plate CameraBillcliff Antique Plate CameraBillcliff Antique Plate Camera
 

The right combination of cameras and lenses for the right job.  Just like the right knife, and the right pan for the professional chef.  (And yes, I do like spending time in the kitchen as well)!
 

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(Barnett Photo Studio) Barnett International Billcliff Blog Cornwall MPP MPP Micro-Press Photographic Equipment Photography Plate Cameras Rolleiflex UK Zeiss Zeiss Super Ikonta C https://www.barnettphotostudio.co.uk/blog/2015/11/-what-equipment-do-you-use Sun, 15 Nov 2015 15:15:00 GMT
Visions of Cornwall https://www.barnettphotostudio.co.uk/blog/2015/11/visions-of-cornwall Visions of Cornwall
 

Houseman's Engine House, Minions, Bodmin Moor, Cornwall,Houseman's Engine House, Minions, Bodmin Moor, Cornwall,Houseman's Engine House, Minions, Bodmin Moor, Cornwall, UK, I've been a long-term fan of the music of Gary Numan, so was thrilled when one of his main musicians, Chris Payne, contacted me.
 

Chris was born and grew up in Cornwall, but found fame playing with Gary Numan, Dramatis and Celtic Legend, as well as co-writing "Fade To Grey" with Visage.
 

Now he lives in France, but a French magazine wanted to publish a feature on him, and his Cornish background, and he called to ask if I could supply him with some stunning views of Cornwall that he had already seen I had produced.
 

 We had a long telephone call, chatting about my times photographing Gary Numan, Dramatis, Nash the Slash and Depeche Mode.  I also decided to produce a few more landscapes, especially for Chris.
 

 I set the alarm two mornings running and woke in the middle of the night to drive through thick fog when most other people would have given up.  Somehow I hoped the fog would lift with the sunrise, which it did, and I was delighted with the shots I got.  There's no "photoshopping" here - the rising sun, the mists, the sheep are all as I found them on Bodmin Moor.
 

You'll also see Trethevy Quoit, the Hurlers at Minions, and Tintagel in the images.  Just a few of the hundreds of wonderful views we have here in Cornwall. Really - there's nowhere quite like it!
 


 


 


 


 

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(Barnett Photo Studio) Barnett International Blog Bodmin Moor Chris Payne Cornwall Gary Numan Minions Photography The Hurlers Tintagel Trevethy Quoit UK https://www.barnettphotostudio.co.uk/blog/2015/11/visions-of-cornwall Wed, 04 Nov 2015 19:45:00 GMT
Hidden Places in Cornwall https://www.barnettphotostudio.co.uk/blog/2015/10/hidden-places-in-cornwall Hidden Places in Cornwall
 

Jessica Gibson in Bodmin, CornwallJessica Gibson in Bodmin, CornwallJessica Gibson in Bodmin, Cornwall
 

Although we do use studios for some of our shoots, we much prefer to work on location.  Not only do other places provide an infinite variety of backgrounds, but they also pose their own unique challenges and that is really one of the best ways to learn.

So when Jessica, a young model in the West Country approached us for some images for her modelling portfolio, we scouted around Cornwall for some ideas and places we had not used before.
 

Jessica GibsonJessica GibsonJessica Gibson There are many hidden places in Cornwall, and some of them are real gems.  We found a place near Bodmin, part of a ruined priory, and took some location shots a  few days before.  We checked the weather forecast and worked out where the sun would be at various times of the day.  Preparation is key to so many things.
 

Although we arrived on the day in good time, our model Jessica was already there before us, and that is always a good sign.  Of course, as time went on we worked with Jessica and combined ideas with what we knew was already there.
 

Jessica GibsonJessica GibsonJessica Gibson So, next time you are thinking about some photos, maybe for yourself, for a loved one, or just family portraits as a piece of beautiful art, think of the hidden places that can lend that extra something to the final result.  We know of quite a few, so please feel free to ask us - and if you have any yourself that you'd like to share with us, then we'd love to hear from you!
 


 


 

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(Barnett Photo Studio) Barnett International Blog Cornwall Hidden Places in Cornwall Jessica Gibson Photography UK https://www.barnettphotostudio.co.uk/blog/2015/10/hidden-places-in-cornwall Mon, 26 Oct 2015 10:49:29 GMT